«Dance, dance, otherwise we are lost.» Pina Bausch’s quote opens the exhibition, less as a slogan than as a question. It poses the very question that Keep Dancing unfolds across five spaces and two floors: what becomes of dance when the body carrying it is digital?
This is the world after. On the ground floor, the body has slowly faded, making way for its digital doubles. A gentle dystopia—a shift we accept almost without noticing. Upstairs, something else takes shape. The body and its double are no longer opposed: they remain distinct, but cease to be read as an original and its copy. The movement originates in Núria’s body and extends into the avatar, changing substance without ceasing to be recognizable. It is not the body that continues; it is the dance.
This journey is carried by a dialogue between light artist Tiler Gab and choreographer Núria Guiu Sagarra. Light connects the two worlds and contributes to their fusion. The choreography provides the living substance—a danced phrase that repeats and transforms until it becomes an infinite loop, without weight or fatigue.
The exhibition does not take a stance on this future. It slows down the gaze to give visitors time to feel—their own weight, their own breath.